Shining a light on the filmmaker's obsession with life and death.
Early in his career, Clint Eastwood established himself as a tough guy with roles like the Man with No Name in Sergio Leone’s The Good, the Bad and the Ugly, and as Harry Callahan in Dirty Harry. But since the early '90s, Eastwood has focused less on acting and more on directing, crafting films that frequently make a big splash during awards season. More than that, though, he’s created a body of work deeply concerned with the the spiritual questions of the value of human life and the grief that follows in death’s wake.
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