The Avengers

Marvel’s mixed menagerie of superheroes are assembled in The Avengers, bringing together the characters of this shared universe in a movie that shows how little they’re willing to share. Pride, jealousy, deception and bitterness permeate characters that aren’t automatically superfriends, a nice form of storytelling about superhumans that doesn’t forget they’re human.

In the hands of comic book writer and genre director Joss Whedon, all these disparate elements come together as if they were destined to be, with Loki as the antagonist with a team level threat that requires everyone bring their gifts to the table. While I thought the film would simply be another inadvertent expression of Romans chapter 12, or 1 Corinthians 12– about how we as a people need to bring our unique gifts to the table and each contribute our part, not disparaging or elevating one or the other but recognizing the importance of all– the movie had a surprising slice of insight by Loki, when he makes an assembled group of people bow before him.

Were we made to kneel?

Let’s examine this, shall we? It’s not a particularly American sentiment, certainly. Even Optimus Prime would argue that “Freedom is the right of all sentient beings”. We don’t generally think of bowing to an Emperor or pledging our subservience to be in line with freedom (whereas other cultures have and do). Our first response to Loki’s statement is one that looks less like bended knee and more like a particularly raised finger. I suspect there will be rowdy cries of “hell, no!” in the theaters in response to Loki’s assertion.

The problem is, there’s truth in his words.

Even a lot of professing Christians live life as if God exists as accompaniment to their self-centered universe, a force that exists to serve their needs, and although they’d never dare say it, the way they actually picture the relationship looks more like he’s kneeling to serve them. We forget a basic part of who we are and how we were made:

“Oh come, let us worship and bow down; let us kneel before the LORD, our Maker!” – Psalm 95:6

Loki is right, and it doesn’t get any clearer than in the psalmist King David’s words: we were made to kneel.

Do we crave subjugation?

What of this statement then? Do we willingly shackle ourselves and lose our joy? Scripture is clear that the proper posture before the true creator brings joy, not the other way around. Still, that same scripture tells us exactly how we enslave ourselves to oppressive people and things:

“… they exchanged the truth about God for a lie and worshiped and served the creature rather than the Creator…” – Romans 1:25

We lose our joy in a mad scramble for identity by attaching it to something lesser, binding our hopes and dreams to a celebrity, a politician, a spouse, a fictional universe or hero, a national identity, a career, a co-dependent relationship, or vicarious achievements through our children. We “freely” soil our knees on these shifting foundations hoping these things will satisfy, give us purpose and worth. Worst, we effectively see ourselves as “god”, the center of our own life and universe, and find ourselves kneeling to an identity that is certain to let us down, shackled to our own fallibility and finitude.

Loki is right again: we crave subjugation and lose our joy, chasing a “freedom” (that is actually enslavement) and declaring it as our identity.

What is our identity?

It’s not just about dusting off our knees and rejecting the wrong identities, we need to know our actual identity. Scripture suggests we all – and each – have a job description:

“For we are his workmanship, created in Christ Jesus for good works, which God prepared beforehand, that we should walk in them.” – Ephesians 2:10

That job description for all mankind makes us subject to the one true God, but with an amazing freedom and responsibility. We’re not meant to be subjugated by anything else. We have a dominion to wisely oversee and steward (and protect):

“Let us make man in our image, after our likeness. And let them have dominion… over all the earth and over every creeping thing that creeps on the earth.” - Genesis 1:26-28

Loki is right: we don’t need to scramble for identity, we just need to submit to and embrace the one declared by God.

We were made to bow before our God and Maker, yet we shackle ourselves to lesser “gods” – created people and things. We race around “freely” putting our identity in things that ultimately rule us. It’s obvious that in many ways, Loki is absolutely right. However, there IS one worldview that offers perfect relationship held in tension, that offers both freedom and servitude. The creator and God we obey humbly and bow before utters this unique command:

“For freedom Christ has set us free; stand firm therefore, and do not submit again to a yoke of slavery.” - Galatians 5:1

Loki is wrong: we were made to be free. “Do not submit again to slavery”, the true God says. The power-hungry, adopted Asgardian son in the Avengers movie offers a subjugation without freedom, a cruel rule of oppression and tyranny. He is no benevolent dictator. Conversely, the God of the Bible proclaims that we receive true freedom through Jesus, that our subjugation to lesser things is broken forever, as we give our lives to a life-giving God.

This seems dichotomous, right? We’re “free” only by becoming God’s “bondservants”? It runs counter to our notion of freedom which– if we stop and think about it– often seems nebulous and undefined. What is freedom, anyway? Simply to do whatever we want? What if our own “wants” are corrupted? What if you and I are flawed creatures that even deceive ourselves, slaves to bad programming and predispositions? How can we truly transcend and experience REAL freedom?

Consider: if we were created and crafted to have a most glorious function, and things exist that inhibit that function (including our own hearts and minds) then true freedom would be objective release from the shackles that restrict, both our external direction and our internal desires truly freed to be as intended. In other words, we’re freed from all the other things that enslave in this life – including our own passions – by becoming a servant to the one who truly knows us better than we know ourselves.

“Live as people who are free, not using your freedom as a cover-up for evil, but living as servants of God.” – 1 Peter 2:16

Loki is wrong: freedom is not a “disease” to which servitude is the “cure”. Rather, placing our lives under the truly all-knowing, all-powerful rule of our Maker brings us freedom to know ourselves and the empowerment to live freely.

In the end, we WILL kneel… but not to a Loki.

Loki is wrong, because he knows the outcome but believes he’s the answer. When the term god is used to describe Loki and Thor, Captain America has an earnest reply: “Ma’am, there’s only one God, and I’m pretty sure he doesn’t dress like that.” Steve Rogers knows full well that this tyrant is not someone he or anyone should bow to. As a man growing up 70 years ago and likely raised in a Christian home, he was probably taught the message of the gospel, in which God’s good news to all men culminates with those bended knees being loved, exalted as siblings and co-heirs with Jesus. Freedom in Christ is rooted in the reality that God doesn’t treat his bondservants as slaves… he treats us as his own children.

“So you are no longer a slave, but a son… an heir through God. Formerly, when you did not know God, you were enslaved to those that by nature are not gods.” - Galatians 4:6-8

As the Hulk so aptly puts it (in the crowning moment of the film) Loki is indeed a “puny god” (by nature, NOT god at all) and only offers the rule of a tyrant… whereas the God of the bible offers adoption, family, inheritance, and eternity. Would you not kneel for the savior who sacrificed for you? In the Lord of the Rings, Middle Earth kneels to honor even the little hobbits, and they willingly submit themselves to the rule of Aragorn. It’s not that we weren’t created to kneel, we should just bend our knee to the one who deserves it.

“God has highly exalted him and… at the name of Jesus every knee should bow… and every tongue confess that Jesus Christ is Lord, to the glory of God the Father”- Philippians 2:8-11

We all will stand someday before our heavenly father. If we don’t give up our own poisonous dreams, if we don’t turn from our bitter rebellion, scripture tells us it will look like a courtroom. If we accept the saving shadow of the Son, it looks like home: devoid of strife and woe, and brighter than Asgard.

Sliding Doors

In Chapter 1, the movie opens with Helen facing two alternate, yet parallel, lives as she either barely makes it to the tube on time or she misses it altogether.  We see that this one moment in time plays a powerful role in her life.  She is led toward the reality of unfaithfulness and the discovery of who she is, or she is left in oblivion and remains in bondage to her life.  We have faced this dilemma. Often it is harmless; we choose one good option over another good option.  Sometimes it is a moment we look back on, realizing only with the passing of time the impact it had on our future and those around us.  The eternal picture is that we are each faced with alternate, yet parallel, paths of ‘making it’ or ‘missing it’ with a relationship with Christ.  

As he was traveling, it happened that he was approaching Damascus, and suddenly a light from heaven flashed around him; and he fell to the ground and heard a voice saying to him, “Saul, Saul, why are you persecuting Me?” And he said, “Who are You, Lord?” And He said, “I am Jesus whom you are persecuting… And immediately there fell from his eyes something like scales, and he regained his sight, and he got up and was baptized…and immediately he began to proclaim Jesus in the synagogues…  Acts 9:3-5, 18, 20

And someone came to Him and said, “Teacher, what good thing shall I do that I may obtain eternal life?”…. Jesus said to him, “If you wish to be complete, go and sell your possessions and give to the poor, and you will have treasure in heaven; and come, follow Me.” But when the young man heard this statement, he went away grieving; for he was one who owned much property. Matthew 19:16, 21-22

In Chapter 4, Helen (who has missed the tube) confronts Gerry on a few suspicious things she has noticed.  Gerry, although guilty, not only denies his wrong doing but places the blame on Helen and others.  Later, James tells Helen that “there is just confusion and it can be erased in a split second.”  Many times we know we have been ‘caught’ in our sin; but rather than take accountability and confess, we deny and place blame.  However, we have a Savior who has redeemed us from our confusion and sin.  If we will admit to our sin and repent, Jesus will forgive us and make us new.

For God is not the author of confusion, but of peace. 1 Corinthians 14:33

He who conceals his sins will not succeed; he who confesses and abandons them will gain mercy. Proverbs 28:13

If we confess our sins, he is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness. 1 John 1:9

Therefore, repent and turn to God, so that your sins may be erased. Acts 3:19

In Chapter 12, Helen’s two worlds have converged and returned to the original path.  However, now she is fully aware of Gerry’s betrayal and she is making a fresh start.  As she leaves the hospital, we are given a déjà vu moment from the beginning of the movie as she encounters James for the second time.  Although their paths have been crossing in this reality over time, they haven’t truly noticed one another until this moment.  It is a moment that should cause us to pause and reflect:  in spite of the choices I’ve made, is it possible that God is constantly working to bring me to the place He has for me?  Even in my lack of seeking His direction, does God orchestrate my life so that I realize His will for me?

The mind of man plans his way, but the Lord directs his steps.  Proverbs 16:9

‘For I know what plans I have in mind for you,’ says the Lord, ‘plans for well-being, not for bad things; so that you can have hope and a future.’ Jeremiah 29:11

For we are His creation, created in Christ Jesus for good works, which God prepared ahead of time so that we should walk in them.  Ephesians 2:10

…having been predestined according to the purpose of Him who works all things according to the counsel of His will…  Ephesians 1:11

Sliding Doors

Sliding Doors is a 1998 British-American romantic comedy-drama film written and directed by Peter Howitt and starring Gwyneth Paltrow and John Hannah, and featured John Lynch, Jeanne Tripplehorn and Virginia McKenna. The film alternates between two parallel universes, based on the two paths the central character's life could take depending on whether or not she catches a train.

Taglines:

 Helen is about to find that romance was never this much fun. See more »

Quotes

Helen: I-I'm not - I'm not very good at - at, you know... 
James: Constructing sentences?
See more »

The Sixth Sense

In chapter 5, Mind Reading Games, we're introduced to central characters Cole and Lynn Sear as Cole comes home from a day at school.  It doesn't take long to witness seemingly insignificantly extravagant lies that they both make up to tell each other as a rather unusual means of communication.  Despite how innocuous this interaction, it further serves to illuminate Cole's dissonance with other peoples when the scene concludes with his interaction with Dr. Crowe.  Our inability to honestly communicate with others and express feelings of fear, as in this case, only serve to alienate, disconnect, and torment us in silent seclusion from which Jesus bleed and died to redeem us from.

1 Peter 1:17-19

¹⁷ And if you call upon Him as [your] Father Who judges each one impartially according to what he does, [then] you should conduct yourselves with true reverence throughout the time of your temporary residence [on the earth, whether long or short].

¹⁸ You must know (recognize) that you were redeemed (ransomed) from the useless (fruitless) way of living inherited by tradition from [your] forefathers, not with corruptible things [such as] silver and gold,

¹⁹ But [you were purchased] with the precious blood of Christ (the Messiah), like that of a [sacrificial] lamb without blemish or spot.

Galatians 6:1-3

6 Brethren, if any person is overtaken in misconduct or sin of any sort, you who are spiritual [who are responsive to and controlled by the Spirit] should set him right and restore and reinstate him, without any sense of superiority and with all gentleness, keeping an attentive eye on yourself, lest you should be tempted also.

² Bear (endure, carry) one another’s burdens and troublesome moral faults, and in this way fulfill and observe perfectly the law of Christ (the Messiah) and complete what is lacking [in your obedience to it].

³ For if any person thinks himself to be somebody [too important to condescend to shoulder another’s load] when he is nobody [of superiority except in his own estimation], he deceives and deludes and cheats himself.

In chapter 10, Bedtime Stories and Secrets, Dr. Crowe makes a breakthrough with Cole.  It's when he lowers his guard and becomes honest with Cole that Cole is able to gain trust in him and reciprocate in like kind.  It's only when we become vulnerable, within safeguarded community, are we able to truly know and be known.  

1 Corinthians 13:11-13

¹¹ When I was a child, I talked like a child, I thought like a child, I reasoned like a child; now that I have become a man, I am done with childish ways and have put them aside.

¹² For now we are looking in a mirror that gives only a dim (blurred) reflection [of reality as in a riddle or enigma], but then [when perfection comes] we shall see in reality and face to face! Now I know in part (imperfectly), but then I shall know and understand fully and clearly, even in the same manner as I have been fully and clearly known and understood [by God].

¹³ And so faith, hope, love abide [faith—conviction and belief respecting man’s relation to God and divine things; hope—joyful and confident expectation of eternal salvation; love—true affection for God and man, growing out of God’s love for and in us], these three; but the greatest of these is love.

In chapter 17, Communication, we're left with a very different conversation between mother and son than the one that we were initially introduced the characters with.  If we can suspend our personal commentary as to the content of the conversation, we can at least see it as an honest attempt to connect between these two characters.  After all, it is truth revealed that leads us into a place of freedom to communicate without barriers and with a more genuine sense of connectivity.  

John 8:31-33

³¹ So Jesus said to those Jews who had believed in Him, If you abide in My word [hold fast to My teachings and live in accordance with them], you are truly My disciples.

³² And you will know the Truth, and the Truth will set you free. 

Spiritually Experience Movies

Most movie plots contain a lot more than the action, romance and comedy that line the surface. There are often moral lessons and spiritual symbolism that can be interpreted if the viewer watches the movie with the right mindset. If we are active instead of passive movie watchers, with our heart prepared for a direct revelation from God, then the $7.50 movie ticket would offer us so much more. Here are some tips on how to spiritually filter your movie-going experience:

[Pray] Before the film trailers, carve out a sanctuary. Ask God to show you something through the movie. Ask Him to protect you from any philosophies or language that might deceive you. Relax, get comfortable and put on your thinking cap.

[Weigh the good and the bad] Not everything the filmmakers have to say is going to line up with your “Christian worldview.” Be prepared to sort and file the information you take in.

[Look for symbolism] Often, screenwriters and cinematographers use colors, images, sounds, characters and dialogue that convey significance. Movies like “The Matrix,” and “The Sixth Sense” come to mind.

[Go deeper into the characters] Are there any characters with which you can relate? What would you do if you were in their shoes? The actors have worked very hard to create a character that runs deeper than their lines. Take the time to see the person.

[Discuss it] If you took a date, or watched with a friend, take advantage of the car ride home to discuss the movie, and what it meant to you. Get on the message boards the next day and start thinking out loud.

[Apply it] If the description of love in “Captain Correlli’s Mandolin,” or the concept of breaking man-made traditions to preserve your family’s happiness in “Fiddler on the Roof,” or the never ending battle between Good and Evil in “Star-Wars” tugged at your mind, then make it real. Live it out. Take note of it in the world around you.

Hollywood Jesus

THE SIXTH SENSE (1999)

This page was last updated June 27, 2005

Bruce Willis as Malcolm Crowe Haley Joel Osment as Cole Toni Collette as Lynn Sear Olivia Williams as Anna Crowe Donnie Wahlberg as Vincent Gray Mischa Barton as Kyra Collins rest of cast listed alphabetically Trevor Morgan as Tommy Tommisimo Jose L. Rodriguez  as Husband M. Night Shyamalan as Dr. Hill Directed by M. Night Shyamalan Written by M. Night Shyamalan Produced by Kathleen Kennedy, Frank Marshall, Barry Mendel and Sam Mercer (executive). Cinematography by Tak Fujimoto

Not every gift is a blessing.

SYNOPSIS: In this chilling psychological thriller, eight-year-old Cole Sear, (Haley Joel Osment) is haunted by a dark secret: He is visited by ghosts. A helpless and reluctant channel, Cole is terrified by threatening visitations from those with unresolved problems who appear from the shadows. Confused by his paranormal powers, Cole is too young to understand his purpose and too terrified to tell anyone about his torment, except child psychologist Dr. Malcolm Crowe (Bruce Willis). As Dr. Crowe tries to uncover the ominous truth about Cole's supernatural abilities, the consequence for client and therapist is a jolt that awakens them both to something harrowing and unexplainable.

WHAT WRITER/DIRECTOR M. Night Shyamalan SAYS ABOUT THE MEANING BEHIND THE SIXTH SENSE      " 'Sixth Sense' is frightening, disturbing and horrific in the tradition of films like 'Rosemary's Baby,' 'Repulsion' and 'The Omen.'  It's reality based fright. It comes from the fears of real people, real children and real adults; fears of loss, the unknown, of having a sixth sense about what lies beyond and fears of not understanding those intuitions.     "Ultimately, it's about learning how to communicate those fears, whether it's communication between a doctor and the patient, a husband and a wife, a mother and a son or between ourselves and loved ones who have passed on. As we all have seen, not communicating with, or keeping secrets from people we love can destroy marriages, careers, families and even lives. That in itself is horrifying."

THIS IS NOT A SPOILER REVIEW. THE ENDING IS TOO GOOD TO GIVE AWAY.

There is a lot of symbolism in this film. Some of it is obvious, like setting the film during the Halloween season. This is the mythological time when the nature god dies and awaits rebirth in the spring. Fall is the time of the dead. It is opposite the time of Spring -Easter -resurrection and rebirth.Shadows, throughout human history, have symbolically been connected to spirits of the dead.  Writer/director, Shyamalan, makes wonderful use of not only shadows, but also reflections. Pay attention to the use of windows and doors, which are symbolic entrances to other dimensions and realities. Dark City,The Truman Show, The Matrix and other recent films have effectively used such devices to transport us into other dimensions of reality. In The Sixth Sense locked doors are also significant.

The establishment of a holy place -sanctuary- is important in this film. The boy, Cole, seeks a place of peace from all the dead spirits and finds that place in the church. Another sense of the sacred in this film comes from the use of religious and secular icons -little figurines of Jesus, the saints, and even plastic soldiers and puppets. Shyamalan continually reminds us of those who have passed into the next dimension.

Shyamalan is very clear that his film is about the importance of good and truthful communication within relationships. Bad communication acts like doors and windows, which separate us from the loving relationships we need.

This scene with the red balloon is the symbolic cornerstone to the whole picture. Note also the use of light and shadow in this scene.  Shadows are symbolic of the dead. Light is symbolic of life and even God -the life giver.

Red is an important color in this film. It is used to underscore important links to the supernatural. Red in our culture is a symbol of blood, and hence, death.  It is also a bright color that pulls the eye. It underscores.  Shyamalan gives it a spiritual connection as well. We are introduced to the boy at a church with two big red doors. The little icon of Jesus in the church has a red cloth draped over his white robe. The holy candles have a reddish pink glow.

After learning from Malcolm about how previous generations sought refuge from their enemies in the church, Cole goes home and builds a red tent sanctuary in his room. And, inside he places little Christian icons, a bed and a flashlight.  At the end of this film, in a heart -grabbing scene, the mother -wearing red- becomes Cole's new sanctuary as she lovingly embraces her son. Truth brings intimacy to their relationship. Shyamalan seems to be suggesting that honest and caring relationships are a holy place -a sacred place.

The film works because we all think about the after-life - heaven and hell. It is amazing that in a film like this, filled with so many symbols of death and life, our film critics are reluctant to talk about the spiritual aspects. I have yet to read one review that discusses the blatant spiritual symbolism found in this movie. Our culture demonstrates a great curiosity about spiritual things and yet our film critics are reticent to discuss these issues when reviewing film.       I highly recommend the film as a conversation-starter with your friends.  Grab a friend who is searching for truth, take them out for a great film and over coffee afterwards talk about the spiritual connections in the story. Don't be afraid. You will be amazed by the questions this film will initiate. Another great topic this film deals with is our own truth.    "And the truth shall set you free," Jesus said.   I believe at the core of this film is the importance of truth-telling within a relationship.      I know there will be some who will fault this film for its "communication with the dead" which they are sure to point out as wrong. But, this film is too powerful and important to simply dismiss. The film is a fantasy, but the story is filled with important truth and crucial life issues. Don't be afraid to deal with the afterlife, spiritual things, and the issue of truth-in-relationships. Allow this film to be one of the ways God opens your thinking to new dimensions within your life.

Bulletin Board: Please note: Comments that reveal the ending will not be posted or may be edited. MORE ON THE COLOR RED Subject: Great Web Site Date: Wed, 25 Apr 2001 From: Amelia Hi! I just discovered this web site, and I love it! It's interesting, I just recently wrote a critique of the Sixth Sense for a Media-related Theology class that I am taking, and I came up with a lot of the same symbolism that you did. I had a different take on the "red" however, and I thought I'd share my idea. On Pentecost Sunday, Catholics wear red to celebrate the descent of the Holy Spirit unto the disciples so that they could speak in tongues and communicate with everyone. I noticed in the Sixth Sense that every time an "important" conversation took place, at least one person was wearing red (or at least surrounded by red), and I took it as a reminder of Pentecost, which is (in a very secular sense) a celebration of good communication. THE SOUL AS ELECTRO MAGNETIC ENERGY Subject: please check out sixthsense.org Date: Wed, 28 Feb 2001 From: Sixthsenseorg@aol.com Hello, My name is Michael Alexander. You might find sixthsense.org a very interesting site. We redefine the sixthsense as our feelings, (our feelings are a sense we use to identify and interpret a situation or circumstance) We explain how the sixth sense travels with us from life to life through reincarnation and re links with the other five senses when the soul, (made of electro magnetic energy) finds a new body. We beleive we can very soon prove reincarnation with modern science and we beleive the law of attraction (Karma) responds to our feeling energy, not our actions. Please enter an opinion in our public opinion poll at the site. thank you, michael Response: God as electro magnetic energy. Hmmm. Gosh, I wish life was this easy to explain. I think God is spirit, therefore unexplainable. Just like life. May God bless you Michael -David WE SEE DEAD PEOPLE Subject: Profound message Date: Mon, 23 Oct 2000 From: Joel I know I am late the The Sixth Sense game, but I saw it recently and saw a profound message that no one else has addressed. As Believers in Jesus, we see dead people every day. At work, at the grocery store, at the movie theater... everywhere. The spiritually dead roam the earth. And the kicker? They don't know they are dead... Joel The WorldVillage Family of Sites COLE AND TEENAGER ALL THE SAME PERSON Date: Wed, 31 May 2000 From: Donna the Truth Shall Set You Free Do you (or anyone else out there reading these messages) think that the teenage boy who shot and killed Malcolm was the child, Cole? That Malcolm was in such turmoil at not having helped his teenage client, when he died his ghost went back in time and altered his treatment plan with the child, thereby changing the course of history. By helping Cole learn how to do the most good with his "6th sense" (showing him how to let the tormented dead communicate with the living) Malcolm also helped set free the tortured sole of the teenage boy. One of the reasons I think the teenage boy and the child, Cole, were one and the same is because when Malcolm was with Cole, the automobiles in the background were also of an earlier period in time. THE COLOR GREEN  Subject: The color green Date: Fri, 21 Apr 2000 From: ER Captain More Speculation -- Besides red, I also noted how important the color green was. It seemed to be a symbol of life or possibly "new life" or a symbol of "salvation". The mother wore a green sweater when she rescued her son from the closet that he gets locked in. Interesting to see that he: 1) Went up the stairs (a spiritual ascending.) 2) Locked away (a spiritual death) 3) Mother, in green, recovers him In the last scene that Haley is in, he is wearing green shoes -- as he swings his sword on the window ledge -- Walking/living a victorious new life?? The center altar icon in the church is also green. I can't tell if it is a Madonna and child or Christ. What do you think? WE WILL ALL BE CHANGED Date: Thu, 13 Apr 2000From: Lyn Mc Thanks for the non-spoiler review, plus the run down on symbolism. In addition to the 'spiral' effect of the staircase, note its affinity with the chambered nautilus -- a sea creature's shell that has long been used to illustrate the passage from life to life, each new "room" adding to the mansion the creature leaves behind. I also think this is a perfect post-resurrection illustration of "we will all be changed." My only regret was the amount of whispering in the film -- hard to watch with the hard of hearing. Rev. Lyn Mc HALEY RIPPED OFF Subject: Haley, I've never written to or about any star before Date: Sun, 26 Mar 2000 From: Beth and Melbourne Pimenta! You got ripped off! You were the best. I saw "Cider House Rules" today and although it was a "nice" story, I left the theater wondering why they made this a movie. The book was great, but michael Caine had nothing on you. When we left the theater after seeing the "The Sixth Sense", My husband (who is from India) and I (American) were stunned and amazed. Please don't be discouraged! You were great! Beth and Melbourne Pimenta! OTHER FILMS OF M. NIGHT SHYAMALANSubject: M. Night Shyamalan Date: Thu, 2 Mar 2000 From: Shaw What other movies has M. Night Shyamalan done? I've had no luck with other video references. The "Sixth Sense" was excellent. We would like to see his past work. Thanks. E. Magana My response: Did you know he did Stuart Little? It is movie houses now! His films are: 1.Unbreakable (coming in 2000) 2.Stuart Little (1999) (screenplay) 3.Sixth Sense, The (1999) 4.Wide Awake (1998) 5.Praying with Anger (1992) ABSOLUTE FAVORITE FILM Date: Sun, 26 Dec 1999 From: Brandi Hey everyone! I went into "The Sixth Sense" thinking I was going to regret ever letting my friend talk me into seeing it. When I left that theatre room my view was COMPLETELY changed! I think "The Sixth Sense" has been one of my absolute favorite movies of all time. Everything about it kept me on the edge of my seat and my attention was never taken from the screen. Everything about this movie takes you completely in the actors positions. By the end of the movie, I was shaking and shivering and I had cried so much my eyes burnt! But I LOVED it! This movie also starts a wonderful conversation topic. My friend and I talked about it for hours on end. "The Sixth Sense" is also a movie that is very observent. Watch for certain things that actors say or things shown, it all adds up in the end. If you haven't seen this movie, DON'T miss it! SEE SIXTH SENSE OVER AND OVER November 4, 1999. This is one of my favorite films of all time and is very a film you will not understand fully unless you watch it over and over. I still had not noticed the red theme throughtout very interesting. I also have a review at http://mypage.uniserve.ca/~ccoyote of the sixth sense THE COLOR RED IN SIXTH SENSEOctober 5, 1999. I really appreciate this web site. I have been here once before maybe a   couple of months ago and I reviewed the 6th Sense and I read all about the   signs to look for, just recently I had went to go see the movie and I tried   to remember everything to look for. Most of all I did rememeber seeing the   red, and I tried to think what could that symbolize at that particular part in the movie. The movie did have me thinking about life after death. But I have to admit that I figured out the movie before it revealed itself!!! *smile* And I didnt cheat!! Again I praise God for your website God Bless Stephanie Ishman HEARTWARMING THRILLER!October 16, 1999 I saw this movie the second time with my mother and it still made me jump. Anyway, it reminds me of after my grandpa died in the nursing home and I felt him standing by me in spirit. I can imagine how Cole felt when he helped that girl Kyra. This is a great website. DISCUSSED "SIXTH SENSE"ALL EVENING AFTERWARDSOctober 19, 1999 I had no desire to see this movie until I read the review on your website. I loved it. My husband and I spent the rest of the evening discussing it and the signals we missed. We have never spent so much time discussing a movie before. I agree with a previous comment--an Oscar for Haley Joel Osmet. He was superb. --Teresa "SIXTH SENSE" MAKES SENSE October 23, 1999What makes sense in this whole film as what was suggested in the film is relationship and i definitely believe in getting the truth or be as frank to everybody. However on the issue of afterlife, Jesus said, "Let the Dead bury themselves." And join with Jesus after our departure/ putting out faith in Him. So i rightly believe that if we are to leave this world now, like being raptured, i will not be worried about those who i gotta leave behind because Jesus will show them the way after i am gone. So what am i gonna do? Just live for Jesus. I may fall hard and bruised because of sin, but i am forever righteous in the sight of God because of my Lord's redemption of OUR sin through His blood. And i am very sure i will not stay back as these ghostly characters have. The Truth Will Definitely Set us Free.! SIXTH SENSE AND HJ SUPERB IDEA September 8, 1999. I'm quite impressed by your fascinating Web site. It's a superb idea for Christians to analyze and discuss movies, rather than simply passing moral judgments on them.      Of course, it's easy to do that sort of thing with the Sixth Sense, the most pleasant surprise I've had in a movie theatre in years.      I went expecting merely a clever horror movie; what I got instead was a rich and thoughtful drama with a climax that manages to be shocking, tragic, and heartwarming all at once. I'm hard pressed to think of any Hollywood film that does better at trying to reimagine the meaning of death. Lovely piece of work. And if there's any justice, that Osment kid wins Best Actor at next year's Oscars. He's precisely that good.      Anyway, thanks much for a lovely Web site. Hiawatha Bray Tech Reporter Boston Globe WELCOME CHANGE FROM FORENSIC GOREFESTS September 6, 1999.  I am a filmmaker/writer I have not been this freaked out after seeing a movie since The SHINNING this type of cinema is definitely a welcome change from forensic gorefests. -Duane Soebagio SIXTH SENSE AGAIN September 6, 1999.  I wouldn't of seen the movie - except my son (age 16) wanted to go. So....  off we went. I enjoyed the movie and then at the end BAMB... you're hit with  the surprise. So now I want to go see it again and see all the signals I missed throughout the movie. Play it again Sam. SIXTH SENSE THOUGHT PROVOKING September 6, 1999. Hello: This evening I saw Sixth Sense and now know why it is the number one movie the past four weeks. Strange to read a review after seeing the movie. You are  right, there is much to discuss after viewing the film. By the way, Cole Sear is nine years old as noted on Malcom's writing pad. The film was excellent and thought provoking, particularly the scene near the end with Cole and his mother (in the car). You have done a fine job reviewing this terrific film! Kariann KUDOS ON SIXTH SENSE REVIEW September 4, 1999.Kudos to you on the insightful review. And Super-Kudos to you for not spoiling the wonderful plot-point at the end! eric bramlett in Naperville IL COLOR NEEDS TWEAKING IN HJ September 1, 1999. This is my first time to your site, and I like your analysis and visual critiques of the movie Sixth Sense (which I have not seen). I was disappointed though with the color schemes used in your site. The overuse of color (and weird color combinations like yellow on red) make it really hard to read. Perhaps just a little tweaking on the color scheme could really make this an incredible site. --Louis Nemec, New York State Theatre Education Association NYSTEA: http://www.nystea.org NEMECS: http://members.tripod.com/lhnemec (New site) My response: Yeah, you are right the colors did need to be tweaked. I'll try to stay away from red and yellow combinations in the future. In fact, I have eliminated the red and yellow combination from this page. Thanks for the suggestion, they help! THANKS FOR SIXTH SENSE REVIEW August 30, 1999.  Thank you for a helpful, moving, stimulating review of one of my favorite films of recent viewing. I will pass your site on to friends, Bruce! PLEASED WITH HJ AND THE SIXTH SENSE Aug 22, 1999.  I turned to your site (linked from IMDB) with merely idle curiosity, fearing that it would be be another place which purports to minister to "concerned parents" by mechanically tallying swear words, servings of alcohol, glimpses of nude bodies, etc. while ignoring a film's overall moral tone or message. It was a pleasant surprise to see its themes perceived and explored with such great probity and insight. In terms of specific analysis and identification of symbolic elements, it is by far the best of all reviews cited in IMDB. Great job! I'll be looking for your pages on other films which I have seen or want to see.      Of course, the existence of ghosts is not intrinsic to the Christian faith and can only be surmised or premised, and it is a hypothesis which in practice has spawned a great deal of charlatanism and misplaced faith. But once this point is made in discussion with children or others, one can go on to glean a great deal of edification from what the film has done with the premise.       It must not be overlooked that the church is portrayed as important to Cole and his mother (as evidenced by the trouble she goes through to send him to a parochial school), and that their faith experience is considered at least somewhat positively. Perhaps there is not quite such a dearth of such portrayals in film now as five years ago-- yet it is still rare enough that Christians should applaud such gestures. SIXTH SENSE OPTIMISTIC ABOUT DEATH August 10, 1999. Dear Bruce, I found your web page on the Internet today and thought it was a pretty creative idea, to view films from a religious perspective. Granted, a lot of people with deep religious faiths are likely to shy away from Hollywood films, assuming (incorrectly, I think) that most of the products simply revel in the glorification of sex, violence, and personal indulgence. Some do, some don't. But I think there's a tendency to dismiss a film based on how they perceive it will be, rather than actually checking out what it is. Take "The Exorcist." The film's violence probably led a lot of religious people to decide not to see this film, but I think it's actually quite a moral film, one that takes the Devil (and, therefor, God as well) quite seriously. It's nice to see a web page like yours that examines today's movies from a religious perspective, but doesn't automatically dismiss all the films as immoral. Anyway, the main reason I'm writing: I enjoyed your review of "The Sixth Sense," which I caught last Friday. I'm a big fan of horror films, which is the main reason I went to see this movie, and while it did have some very scary scenes, overall I thought it was a surprisingly upbeat and optimistic look at the meaning of death. I agree with you that there was a considerable amount of religious symbolism in this film; to me, the film seemed to be suggesting that people of science (including psychologists) take a far too literal and rational view of the world, dismissing anything that doesn't have a scientific solution. I think the film suggests that people who have a faith and believe in something more -- whether it's a belief in ghosts, reincarnation, the miracles of Jesus Christ, or holy miracles -- may be to something, and that science shuts the door on anything it can't see.   I review films for the newspaper I work for in Fall River, Massachusetts. I'm not technically sophisticated enough to send you a copy of my review by E-mail, but if you send me an E-mail back with a mailing address, I can send you a copy. Anyway, keep up the good work.

Next time...The Sixth Sense

The Sixth Sense is a 1999 American psychological horror film written and directed by M. Night Shyamalan. The film tells the story of Cole Sear (Haley Joel Osment), a troubled, isolated boy who is able to see and talk to the dead, and an equally troubled child psychologist (Bruce Willis) who tries to help him. The film established Shyamalan as a writer and director, and introduced the cinema public to his traits, most notably his affinity for surprise endings. The film was nominated for six Academy Awards, including Best Picture.

Taglines:

 "I see dead people" See more »

Box Office

Budget:

 $40,000,000 (estimated)

Opening Weekend:

 $26,681,262 (USA) (8 August 1999) (2161 Screens)

Gross:

 $672,806,292 (Worldwide)

See more »

The Beaver

In scene 3, we meet our protagonist Walter Black, fresh off a failed suicide attempt and with his new found confidant the Beaver.  We learn that Walter has been in a severely depressed state for quite some time and the Beaver convinces him that the only way that he can overcome this is to totally discard his present life for a completely new one.  While the Beaver speaks some truth into Walter's life, it isn't complete because it fails to negotiate the fact that Walter's 'new' life will be comprised largely of the same one that he currently has which is totally dependent upon himself to be.

Isaiah 60:1
Arise [from the depression and prostration in which circumstances have kept you—rise to a new life]! Shine (be radiant with the glory of the Lord), for your light has come, and the glory of the Lord has risen upon you!

Colossians 3:2-4

² And set your minds and keep them set on what is above (the higher things), not on the things that are on the earth.

³ For [as far as this world is concerned] you have died, and your [new, real] life is hidden with Christ in God.

In scene 13, we find Walter and the Beaver being interviewed by Matt Lauer of The Today Show.  The resurrection of Jerry Co. has given Walter, and primarily the Beaver a platform to voice his own ideologies of self-help.  While the Beaver once again speaks truth, it is diminished by it's unfortunate partiality.  He correctly states that we all reach a point to where, in order to go on, we need to wipe the slate clean.  The good news, that the Beaver fails to communicate, is that we are given exactly that through the blood bought newness of life paid for and given purpose to by our savior Jesus.

1 Corinthians 6:10-12

¹⁰ Nor cheats (swindlers and thieves), nor greedy graspers, nor drunkards, nor foulmouthed revilers and slanderers, nor extortioners and robbers will inherit or have any share in the kingdom of God.

¹¹ And such some of you were [once]. But you were washed clean (purified by a complete atonement for sin and made free from the guilt of sin), and you were consecrated (set apart, hallowed), and you were justified [pronounced righteous, by trusting] in the name of the Lord Jesus Christ and in the [Holy] Spirit of our God.

¹² Everything is permissible (allowable and lawful) for me; but not all things are helpful (good for me to do, expedient and profitable when considered with other things). Everything is lawful for me, but I will not become the slave of anything or be brought under its power.   

Norah, Porter's love interest, closes scene 17 with her graduation speech which the anticipation of has haunted her for the entirety of the film.  She, much like the Beaver before her, speaks truth that stops just short of illuminating our great and glorious gospel that is the giver of this new life that Walter so desperately sought.  Her words are a soothing balm to our eviscerated souls in that 'we don't have to be alone', which is exactly where religion leads and leaves us.  We only find our answers to all the previously discussed in relationship...with Christ.

1 John 1:6-8

⁶ [So] if we say we are partakers together and enjoy fellowship with Him when we live and move and are walking about in darkness, we are [both] speaking falsely and do not live and practice the Truth [which the Gospel presents].

⁷ But if we [really] are living and walking in the Light, as He [Himself] is in the Light, we have [true, unbroken] fellowship with one another, and the blood of Jesus Christ His Son cleanses (removes) us from all sin and guilt [keeps us cleansed from sin in all its forms and manifestations].    

The Beaver (film)

Theatrical release poster
Directed by	Jodie Foster
Produced by	Steve Golin Keith Redmon Ann Ruark
Written by	Kyle Killen
Starring	Mel Gibson Jodie Foster Anton Yelchin Jennifer Lawrence Reily Thomas Stewart
Music by	Marcelo Zarvos
Cinematography	Hagen Bogdanski
Editing by	Lynzee Klingman
Distributed by	Summit Entertainment(USA) Icon Productions (UK)
Release date(s)	May 6, 2011 (Limited) May 20, 2011 (Wide)
Running time	91 mins.
Country	United States
Language	English
Budget	$21 million [1]
Box office	$6,370,816 [1]

Walter Black (Mel Gibson) is a depressed CEO of Jerry Co., a toy company nearing bankruptcy. He is kicked out by his wife (Jodie Foster), to the relief of their elder son Porter (Anton Yelchin). Walter moves into a hotel. After unsuccessful suicide attempts, he develops an alternate personality represented by a beaver hand puppet found in the trash. He wears the puppet constantly, communicating solely by speaking as the beaver, helping him to recover. He reestablishes a bond with his younger son Henry and then with his wife, although not with his elder son, Porter. He also becomes successful again at work by creating a line of Mr. Beaver Building Kits for kids.

Porter, who gets paid to write papers for schoolmates, is asked by Norah (Jennifer Lawrence) to write her graduation speech. He gets emotionally attached to Norah but his father's actions with the beaver puppet embarrass him.

Walter's wife moves out of the house with the children, because he lied to her about the puppet being part of a treatment plan monitored by his psychiatrist. She feels she can't communicate with her husband and that the beaver is taking him over.

Part of Walter's personality realizes what he has put his family through and wants to get rid of the beaver to get back together with his family, but the beaver resists. Walter finally takes the puppet out of his life by cutting off his forearm. He gets a prosthetic hand and is placed in a psychiatric hospital.

Norah reconnects with Porter. She starts the speech he wrote, but stops and admits publicly that she did not write it herself. She switches to explain the value of truth and her trauma caused by her brother's death some years ago. Porter realizes the value of his father and reunites with him.

Walter Black becomes himself again and returns to a normal life.

Mel Gibson and Jodie Foster promoting the film at the 2011 Cannes Film Festival.