Friday, September 28, 2012

Identity & Substitution in THE HUNGER GAMES



“Hope, it is the only thing stronger than fear.”

They didn’t get everything right. I know, I know, we were ALL disappointed with what Katniss was wearing at the opening ceremonies in the film adaptation of Suzanne Collins’ New York Times Bestseller, The Hunger Games. The CGI fire just didn’t do it justice, and Jennifer Lawrence looked like she was wearing a leftover stillsuit fromDune. Still, since my wife Kat and I read the trilogy just a month before the film came out, I still stand by the fact that it’s one of the faithful adaptations of a book done,period. From the great casting (most notably Donald Sutherland and Woody Harrelson) to the deft line of bloody-yet-PG-13 violence, everything save for the costumes was superb.
Since Cinemagogue’s focus isn’t really playing fashion police, however, we’ll move on. Like peasants of Pan Em clued to the arena telecast, this film is dominating the box office and the hearts and minds of viewers and critics, and likely will win out over Good Friday and Easter weekend. I think this is appropriate, since the pivotal ideas of identity and substitution – proxy, tribute, sacrifice – play such key roles in the film, a little glimmer of what this holiday weekend is all about as Jesus offered himself in our place.
Whether you’ve seen the film or read the book, you can check out this Spoiler-free video review. We’ll follow up with a written review addressing other elements that can only be addressed by revealing key plot points.
Watch on Youtube or using the browser below.

James Harleman


Wednesday, September 26, 2012

Next class....The Hunger Games



Set in a future where the Capitol selects a boy and girl from the twelve districts to fight to the death on live television, Katniss Everdeen volunteers to take her younger sister's place for the latest match.


Storyline

In a dystopian future, the totalitarian nation of Panem is divided between 12 districts and the Capitol. Each year two young representatives from each district are selected by lottery to participate in The Hunger Games. Part entertainment, part brutal retribution for a past rebellion, the televised games are broadcast throughout Panem. The 24 participants are forced to eliminate their competitors while the citizens of Panem are required to watch. When 16-year-old Katniss's young sister, Prim, is selected as District 12's female representative, Katniss volunteers to take her place. She and her male counterpart Peeta, are pitted against bigger, stronger representatives, some of whom have trained for this their whole lives. Written by Suzanne Collins  

Box Office

Budget:

 $78,000,000 (estimated)

Opening Weekend:

 $152,535,747 (USA) (25 March 2012) (4137 Screens)

Gross:

 $672,826,249 (Worldwide) (30 June 2012)
See more »

Did You Know?

Trivia

Donald Sutherland saw the script by accident and when he read it, he lobbied for the role of President Snow because the the script reminded him of 'Stanley Kubrick''s Paths of Glory. He succeeded in getting role after he wrote a letter of plea to Gary Ross explaining why he should be cast. See more »

Quotes

Effie Trinket: Happy Hunger Games!
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Thursday, September 20, 2012

The Guardian


The Guardian

Theme:  Sacrifice/Salvation

Big Theological Idea: Vicarious Substitutionary Atonement - Jesus died in our place, for our sins, to make us one with God.

Overview:  The Guardian, starring Kevin Costner and Ashton Kutcher, is a story of heroism and bravery in the face of death.  Getting the chance to glimpse into the stories of true heroes, the viewer is rushed into the tumultuous world of Coast Guard Rescue swimmers and the lives they impact.  This story of sacrifice and salvation, of bravery and humility begs the viewer to answer a simple question: How much is another life worth?

Scene 1: To The Rescue
In this opening scene, the viewer is catapulted into a daring rescue of two boaters adrift in the raging Bering Sea.  Upon finding entering the water, Senior Chief Ben Randall, a rescue swimmer, finds a couple on the verge of drowning.  When the husband’s innate survival instinct kicks in, he tries to drown his own wife in order to be rescued first.  This illustration of utter human depravity does not stop Randall from saving the man and his wife, irrespective of whether he deserved it.  Many times in our own walk, we find ourselves drowning in our own folly, in need of a “fisher of men” who will enter the water surrounding us and use any means necessary to save us from our impending ruin.

O Lord,  what is man that you regard him,
or the son of man that you think of him?
Man is like a breath;
his days are like a passing shadow.

Stretch out your hand from on high;
rescue me and deliver me from the many waters,
(Psalm 144:3-4,7)
For while we were still weak, at the right time Christ died for the ungodly. For one will scarcely die for a righteous person—though perhaps for a good person one would dare even to die—but God shows his love for us in that while we were still sinners, Christ died for us. Since, therefore, we have now been justified by his blood, much more shall we be saved by him from the wrath of God. For if while we were enemies we were reconciled to God by the death of his Son, much more, now that we are reconciled, shall we be saved by his life.  (Romans 5:6-10)
Scene 7 Barroom Brawl
After getting into a barroom brawl with some Navy sailors and getting tossed in jail, Rescue Swimmer candidate Jake Fischer meets with Randall, his instructor.  Fearing expulsion from the program, the normally arrogant and self-absorbed Fischer is instead faced with confronting his true reason for being in the program.  Underneath all the bravado, shame, guilt, and regret were exposed as primary motivators.  The seemingly romantic cultural idea of being driven by your regrets is exposed for the lie that it is; guilt is not a fuel, it’s a weight.  Fischer must understand that you simply cannot erase shame with virtue.  Our own obedience to Christ must likewise be driven by a love of the Gospel, rather than some deterministic notion that we can redeem our past by good works.  Only then can we be used in the work that God has laid before us: to be rescuers of souls.






Save me, O God!
For the waters have come up to my neck. 
I sink in deep mire,
where there is no foothold;
I have come into deep waters,
and the flood sweeps over me.
I am weary with my crying out;
my throat is parched.
My eyes grow dim
with waiting for my God.

16  Answer me, O Lord, for your steadfast love is good;
according to your abundant mercy,  turn to me.
17 Hide not your face from your servant;
for I am in distress;  make haste to answer me.
18 Draw near to my soul, redeem me;
ransom me because of my enemies!
19 You know my reproach,
and my shame and my dishonor;
my foes are all known to you.

29  But I am afflicted and in pain;
let your salvation, O God,  set me on high!
(Psalm 69: 1-3,16-19,29)

Therefore, since we are surrounded by so great a cloud of witnesses, let us also lay aside every weight, and sin which clings so closely, and let us run with endurance the race that is set before us, looking to Jesus, the founder and perfecter of our faith, who for the joy that was set before him endured the cross, despising the shame, and is seated at the right hand of the throne of God.
(Hebrews 12:1-2)

Scene 11: Never Let Go
In the climax of the film, the retired Randall finds himself pulled into one last mission: to rescue Fischer, his former student, trapped on a sinking fishing boat.  When it becomes clear that the frayed rescue cable will not support both their weights, Senior Chief Randall makes the ultimate sacrifice so that Fischer may live.  In this Christ-like act of sacrifice, Randall dies in Fischer’s place and, in so doing, provides the greatest example of what it means to be a servant.  The question posed above now finally has an answer: How much is another life worth?  Yours.
For the love of Christ controls us, because we have concluded this: that one has died for all, therefore all have died; and he died for all, that those who live might no longer live for themselves but for him who for their sake died and was raised.  
All this is from God, who through Christ reconciled us to himself and gave us the ministry of reconciliation; that is, in Christ God was reconciling the world to himself, not counting their trespasses against them, and entrusting to us the message of reconciliation. Therefore, we are ambassadors for Christ, God making his appeal through us. We implore you on behalf of Christ, be reconciled to God. For our sake he made him to be sin who knew no sin, so that in him we might become the righteousness of God.
(2 Corinthians 5:14-15, 18-21)

Thursday, September 13, 2012

So That Others Might Live (Snyder)



Yo

Content Image
So there’s this game called Lifeboat where you’re stuck in a lifeboat with four other people…perhaps a doctor, lawyer, crippled child and sanitation engineer. But the lifeboat can only hold four and you have to decide who gets kicked out. It’s supposed to reveal who we value in society but I think it's a farce. The only right answer to that game is emotionally delivered in The Guardian.

Kevin Costner has been on the comeback trail for some time now without much success. This may not be a “comeback” for him, but it's one of his best. He brings an engaging edge and gentility to his character, and for the first time in recent memory, doesn't seem bored with what he's doing. As for his co-star Ashton Kutcher, I have a hard time seeing him as anything different from his doofus character on That Seventies Show. Halfway through this movie, though, a scene reversed my opinion and I Ashton Kutcher became a talented actor who could bring a complex character to life.

The Guardian is driven by characters and dialogue, so the lead roles have to work, and they have to work well together. Costner and Kutcher solidly carry the film. We care for their characters, even empathize with them, which is a rare feat in today's flash-bang film industry. They make a simplistic and predictable story surprisingly emotional and engaging. Add in beautiful cinematography, unique film techniques by director Andrew Davis, solid special effects, a solid soundtrack and a great supporting cast, and you have one of the better films this year.

Earlier, I alluded to the only right answer for the Lifeboat game. It’s a central theme in The Guardian. The motto for the rescue swimmers of the United States Coast Guard is “So that others may live.” New recruits are trained to give their life for another. That is their mission. So who do you choose to get out of the Lifeboat? Yourself. You get out of so others may live. That's not an easy choice to make, nor does it come naturally to the new recruits in The Guardian.
Our natural tendency is to cling to own life; not to give it up to save another. And yet, the brave men and women of the United States Coast Guard do that on a daily basis.
We’re probably all drowning in one way or another. Our boats may be taking on water. Some may have already sunk. We may be flailing in life’s waters, waiting desperately for rescue. There is a nail-scarred hand reaching for us. It may reach for us on the sunny decks of ships not yet capsized, or in the darkest moments of life’s worst storms, but it reaches, urging us to grasp hold so that we might be pulled from death to life.
That hand belongs to the one man who died that others might live, the only one who can save everyone. And he doesn't rescue for a moment, but for all eternity. Jesus is the epitome of self-sacrifice, of getting out of the lifeboat “So that others might live.”
It’s thrilling to see stories of self-sacrifice on the big screen. They are heroic and noble. But the truth is that we all live in such stories, and it’s up to us to decide what role we will play; will we choose to be rescued, will we refuse rescue out of pride, if rescued will we continue on to rescue others? 

Despite a few flaws, The Guardian is a rousing movie. It blends humor, drama and tragedy in just the right proportions and features wonderfully portrayed characters. It may also challenge you to ask yourself  how much a life is worth and whether you’d be willing to step out of the lifeboat.

Tuesday, September 11, 2012

Next Class 9/21...The Guardian



A high school swim champion with a troubled past enrolls in the U.S. Coast Guard's "A" School, where legendary rescue swimmer Ben Randall teaches him some hard lessons about loss, love, and self-sacrifice.


Tagline:

 Risk Everything


Box Office

Budget:

 $70,000,000 (estimated)

Opening Weekend:

 $18,006,064 (USA) (1 October 2006) (3241 Screens)

Gross:

 $54,983,983 (USA) (31 December 2006)

Did You Know?

Trivia

The Coast Guard A school for rescue swimmers is not at Barksdale AFB in Louisainia, but Elizabeth City, North Carolina.

Quotes

[first lines] 
Capt. William Hadley: There is a legend of a man who lives beneath the sea. He is a fisher of men, the last hope of all those who have been left behind. Many survivors claim to have felt his gripping hands beneath them; pushing them up to the surface; whispering strength until help could arrive. But this, of course, is only a legend.
See more »

User Reviews

Interesting look at an under-appreciated group of heroes
29 September 2006 | by (themoviemark@themoviemark.com) (http://www.themoviemark.com) – See all my reviews
I was looking forward to The Guardian, but when I walked into the theater I wasn't really in the mood for it at that particular time. It's kind of like the Olive Garden - I like it, but I have to be in the right mindset to thoroughly enjoy it.

I'm not exactly sure what was dampening my spirit. The trailers looked good, but the water theme was giving me bad flashbacks to the last Kevin Costner movie that dealt with the subject - Waterworld. Plus, despite the promise Ashton Kutcher showed in The Butterfly Effect, I'm still not completely sold on him. Something about the guy just annoys me. Probably has to do with his simian features.

It took approximately two minutes for my fears to subside and for my hesitancies to slip away. The movie immediately throws us into the midst of a tense rescue mission, and I was gripped tighter than Kenny Rogers' orange face lift. My concerns briefly bristled at Kutcher's initial appearance due to the fact that too much effort was made to paint him as ridiculously cool and rebellious. Sunglasses, a tough guy toothpick in his mouth, and sportin' a smirk that'd make George Clooney proud? Yeah, we get it. I was totally ready to hate him.

But then he had to go and deliver a fairly strong performance and force me to soften my jabs.

Darn you, ape man! Efficiently mixing tense, exciting rescue scenes, drama, humor, and solid acting, The Guardian is easily a film that I dare say the majority of audiences will enjoy. You can quibble about its clichés, predictability, and rare moments of overcooked sappiness, but none of that takes away from the entertainment value.

I had a bad feeling that the pace would slow too much when Costner started training the young guys, but on the contrary, the training sessions just might be the most interesting aspect of the film. Coast Guard Rescue Swimmers are heroes whose stories have never really been portrayed on the big screen, so I feel the inside look at what they go through and how tough it is to make it is very informative and a great way to introduce audiences to this under-appreciated group.

Do you have what it takes to be a rescue swimmer? Just think about it -you get to go on dangerous missions in cold, dark, rough water, and then you must fight disorientation, exhaustion, hypothermia, and a lack of oxygen all while trying to help stranded, panicked people who are depending on you for their survival. And if all that isn't bad enough, sometimes you can't save everybody so you have to make the tough decision of who lives and who dies.

Man, who wants all that responsibility? Not me! I had no idea what it was really like for these guys, and who would have thought I'd have an Ashton Kutcher/Kevin Costner movie to thank for the education?

Not only does The Guardian do a great job of paying tribute to this rare breed of hero, but lucky for us it also does a good job of entertaining its paying customers.

THE GIST

Moviegoers wanting an inside look at what it's like to embark on a daring rescue mission in the middle of the ocean might want to give The Guardian a chance. I saw it for free, but had I paid I would've felt I had gotten my money's worth.